PRS SE Studio Standard Pearl White Elektrisk guitar
Mærke: PRS
Produktkode: 1188042 (HN291381)
PRS SE Studio Standard Pearl White Elektrisk guitar
Mærke: PRS
Produktkode: 1188042 (HN291381)
PRS SE Studio Standard Pearl White Elektrisk guitar
PRS SE Studio Standard Pearl White Elektrisk guitar
The PRS SE Studio Standard is an electric guitar featuring the iconic PRS double-cut body shape and a mahogany body, which contributes to its warm, full tone. The bolt-on maple neck with a Wide Thin profile is topped with a rosewood fingerboard fitted with 22 frets. Classic PRS bird inlays make navigation along the fretboard easy and intuitive.
At the core of its sound is the PRS 58/15 LT “S” (Low Turn) bridge humbucker, delivering a warm and rounded tone reminiscent of late-’50s pickups. It’s complemented by Narrowfield DD “S” (Deep Dish) pickups—double-coil pickups in a single-coil size, combining the best characteristics of humbuckers, single-coils, and P-90s. The extended coils and added metal components between the magnets produce a punchy, articulate tone with extra presence.
Tone versatility is enhanced with a coil-split feature—pulling the tone knob (push/pull) allows you to split the bridge humbucker coils, unlocking even more sonic possibilities.
The strings are anchored in PRS’s patented tremolo system and proprietary tuning machines, ensuring solid tuning stability even during aggressive playing. The guitar comes with a soft gig bag for safe and convenient transport.
Type
Størrelse
Kontrolelementer
Kontakt
Tuner
Antal strenge
Truss stangnøgle
Original farve af producent
Pearl White
Håndfærdighed
Farve
Antallet af bånd
Konfiguration af afhentninger
Bridge/Tremolo
Hals profil
Pickups
Bridge afhentning
Midterste afhentning
Hals pickup
Elektronik
tilknytning
Gribebræt indlæg
Målestok
Nød
Pickguard
Rem knap
Slutning
Legeme
Hals
Gribebræt
Halsfinish
Top
Byggemetode
Hardware
Truss Stang
Lavet i
Indonesien
Dokumenter
Sikkerhedsinstruktioner
Se brugervejledningen for de specifikke sikkerhedsinstruktioner for dette produkt.
