Warm Audio Direct Box Active DI-boks
The Warm Audio WA-DI-A Active Direct Box converts high-impedance, unbalanced instrument signals from guitars, basses, and keyboards into clean, low-impedance, balanced output for mixers and audio interfaces. Built around a custom USA-made CineMag output transformer and 100% Class-A discrete analog circuitry, the unit preserves the natural harmonic shape of both passive and active pickups. A variable -3 to -30 dB attenuation pad, phase reverse switch, ground lift, and instrument/amp selector live inside a 190 x 70 x 190 mm all-metal aluminium chassis weighing just 0.5 kg.
- Custom CineMag USA output transformer retains instrument tone while rejecting hum over extended cable runs
- Runs on standard +48 V phantom power with auto-detection, or two 9 V cells delivering 1,600+ operating hours
- Phase, Ground Lift, and Amp Out toggles address the most common live and tracking problems at the source
- Switchable active or passive mode via the rear-panel toggle adapts the box to any console or interface
Active Direct Box Built Around a CineMag Transformer
The WA-DI-A is Warm Audio's mono active direct box for sending guitars, basses, and keyboards into mic preamps, stage mixers, and audio interfaces without dulling the source tone. A custom USA-made CineMag output transformer pairs with 100% Class-A discrete analog circuitry, so the harmonic shape of any signal reaching the console stays intact. Weighing only 0.5 kg, the compact 190 x 70 x 190 mm aluminium housing slips onto crowded pedalboards and studio racks alike.
What Separates This Active Design
Switchable Active/Passive control on the rear panel is the standout feature. The unit auto-detects +48 V phantom power from the connected mixer or interface and engages active mode without operator input; flip the rear toggle and the same enclosure runs as a fully passive DI on two internal 9 V batteries, yielding over 1,600 hours of continuous runtime per battery set for remote and mobile rigs.
Inputs, Outputs, and Signal Routing
Front-panel layout supports simultaneous direct and miked-cabinet capture in a single pass, useful for FOH feeds, re-amp workflows, and live recording setups.
- Input: 1 x 1/4" instrument/amp jack on the front face accepts either a passive guitar output or a hot amplifier feed, with no re-patching required between sessions.
- Balanced Output: 1 x XLR (600 Ω) + 1 x 1/4" thru sends a balanced mic-level feed to the console while looping the dry signal onward to a stage amp.
- Hot active pickups or loud amp outputs cannot overload the input stage, because the variable pad sweeps continuously from -3 dB to -30 dB — keeping every signal level under control.
Phase Reverse, Ground Lift, and Amp Output Switching
Three front-panel toggles fix the most common live and tracking issues before they ever reach the engineer.
- Phase reverse corrects polarity when layering the DI feed against a mic'd cabinet for combined blends.
- Ground lift decouples earth references between pedalboard, amp, and console to silence stubborn ground-loop hum on stage.
- Amp Out selector — a front-panel toggle that routes a hot amplifier signal directly through the XLR output for clean FOH capture or studio re-amping.
Construction and Powering
Rugged metal enclosure, dual power options, and an LED phantom-power indicator make this direct box a "set and forget" piece of front-end gear that survives touring load-outs.
- Chassis: all-metal aluminium enclosure, 190 x 70 x 190 mm, 0.5 kg — compact enough for pedalboard side-mounts yet tough enough for flight cases.
- Mobility comes from dual power options: +48 V phantom power with auto-detection, plus 2 x 9 V batteries rated at 1,600+ hours — functions in any console, interface, or stage-box environment.
- Analog signal path: 100% Class-A discrete circuitry preserves transient response from passive pickups without adding op-amp colouration.
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