Laney DH80 E-tromme monitor

Laney DH80 Drum Monitor — 80W of Purpose-Built Power for Electronic Percussion

The Laney DH80 is a dedicated 80-watt personal drum monitor built specifically for electronic percussionists. A 10-inch custom woofer and 3-inch coaxial tweeter sit inside a bass-reflex cabinet, giving enough low-end authority to feel the bass drum in your chest. Two channels, Bluetooth streaming, and a balanced DI out make this monitor equally at home in a bedroom, a school music room, or on a small club stage.

What Sets the DrumHub DH80 Apart in the Electronic Drum Amp Category

Most compact drum amps in this segment offer a single input and a headphone jack. The DrumHub goes further with two independent channels that accept 1/4-inch line sources, allowing a teacher and student to plug in two kits simultaneously. Bluetooth audio streaming sits alongside the 3.5 mm aux input, so play-along tracks can be sent wirelessly from a phone.

Speaker Configuration and Output Power

The DH80 pairs 80 watts of amplification with a 10-inch custom woofer that moves enough air to reproduce sub-kick without bottoming out. The 3-inch coaxial tweeter sits in the same axis as the woofer, so cymbal crashes arrive at the player's ears with accurate imaging.

• Output Power: 80 W — headroom for band-rehearsal volume in a small room
• LF Driver: 10" custom woofer — punch and sub-bass for e-kit kick pads
• HF Driver: 3" coaxial tweeter — cymbal shimmer

Inputs and Outputs — Built for Two Kits, a Mix, and Silent Practice

This monitor offers two 1/4-inch jack inputs on independent channels, a 3.5 mm mini jack aux input, and integrated Bluetooth for wireless audio. Outputs include a balanced XLR DI for sending a clean signal to the main PA, plus a 3.5 mm headphone jack that mutes the speakers for late-night practice.

• Inputs: 2 x 6.3 mm jack, 3.5 mm mini jack, Bluetooth audio — supports two kits plus a wireless track source at once
• Outputs: XLR DI (balanced), 3.5 mm headphone jack — feeds the FOH mix or switches to silent practice instantly
• Two independent channels each carry their own level control for kit-versus-kit or kit-versus-click balancing

EQ, Cabinet Design, and Portability

The onboard 2-band EQ with bass and treble controls lets the player tame boomy rooms or add bite to dark cymbals without external processing. A 40-degree floor-wedge angle aims the sound at a seated drummer, while the bass-reflex port extends low-frequency response beyond what a sealed cabinet could deliver. The black dual-texture covering and easy-grip plastic handle are built for daily transport between rehearsal rooms.

• EQ: 2-band (Bass, Treble) — quick tonal shaping for room acoustics and kit voicing
• Cabinet: Bass reflex with 40° monitor angle — projects sound toward the seated player
• Dimensions: 320 x 360 x 390 mm
• Weighs 11 kg — manageable for one-person carry to rehearsal

Who Should Buy the Laney DH80 — Electronic Drummers, Teachers, and Home Players

The Laney DH80 is the right choice for electronic drummers who need a compact, full-range monitor that handles practice, rehearsal, and small-gig duties without taking up the space of a full PA cabinet. School music programs benefit from the two-channel layout, letting an instructor and a student run two kits through one amp during lessons. Home players get silent-practice capability through the headphone output, plus Bluetooth streaming for play-along tracks. Small-club performers can route the balanced DI straight to the front-of-house mixer and use this monitor as a personal foldback wedge on stage.

Laney Amplification — British Amp Heritage Since 1967

Laney Amplification has been designed and engineered in the UK since 1967, when founder Lyndon Laney built his first amplifier for his own band. More than five decades later, the company still channels that same hands-on, player-first philosophy into every product, from guitar combos to the dedicated DrumHub series. The DH80 carries that lineage into the electronic percussion world, applying Laney's cabinet-building experience to a category that previously relied on repurposed guitar or keyboard amps.